Taking a break from martial arts/action-movie roles for a change, Donnie Yen tries to flex his dramatic chops in Come Back Home <搜救>. The movie also marked the return of Lo Chi-Leung — his first movie in seven years since he last directed The Vanished Murderer <消失的兇手> in 2015.
Continue reading Come Back Home 搜救 (2022) Review
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